This is shown with the pouches (we don't even need to see what's in them, just the visual representation makes us subconsciously think he's got little things at hand for any situation), he's got straps and buckles connected to physically separate layers, showing that at a moments notice, any part of the suit can be removed if the situation calls for it. There's lots of clear layering and separation between the various parts of the costume, lots of depth at the seams and panel edges, which is an important thing to include if you want to have a busy design that doesn't look flat and cheap. But they're all blocked together in areas and shapes that add to the overall clear aesthetic direction. This costume also has a lot of colors, around 6. Every geometric panel is clearly a part of the underlying padding or armor. But this one works great, because every seam is a strap with a buckle at the end. The 2011 Thor costume was pretty decent in that regardĬap's first costume on the other hand, is also a very busy design. It should avoid acute angles and flat lines that are not physically separate or layered panels. His costume should have obtuse angles and complex curves.
Thor is a large, ancient, powerful character. Not only are there too many details, none of them have any depth. Not to mention the whole thing looks like a big piece of rubber popped off a mold and then zipped up in the back. It's an amateur point of view for an artist to think adding more pointless details into something makes it look more sophisticated. And multiple colors *can* be good, but there has to be a pattern, a rhyme and a reason. There are so many differently colored random geometric shapes and lines, so many panels and seams, that seem to have no purpose or reason for existing. Gold, bronze, black, gray, silver, two shades of red, and two shades of blue. First, a busy design that's bad, then a busy design that's good, then a clean design that's good Let us know your impressions on the 2005 Boards!īelow I'll show 3 examples of what I mean. Watch the video presentation of the samples after the jump as well as some screencaps. Optimus Primal looks like a big and bulky robot with movable panels and fur details.
To top it all, a gray sample of DLX Optimus Primal was shown too. You can display him with or without his faceplate and we can notice that he’s movable pistons and other pieces. This figure features an impressive amount of detail and it was shown with his blaster and battle axe. To our surprise, we also have our first look at a color sample of ROTB Optimus Prime. his LED light eyes, interchangeable head, accessories and display base. We have a closer look at ROTB DLX Bumblebee (whose official images were shared recently). These are non-transformable high quality action figures featuring a great level of articulation and premium finishing and detail. Via ToysTV YouTube Channel we have images of Threezero Transformers: Rise Of The Beasts DLX Bumblebee, Optimus Prime & Optimus Primal samples for your viewing pleasure.
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